February 7, 2011 by Fiction Editor Beth Hill
Story-specific words add an extra dimension to a story. They are beyond correct punctuation and grammar. They are deeper than plot and characterization. They go to a third level of writing, a level that deals with layers and symbols and meaning and rhythm. Mastery of the elements at this level assures the writer that each story is not only a good read but a great work.
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January 26, 2011 by Fiction Editor Beth Hill
Using clichés is like wearing someone else’s old and dirty clothes. They might have looked good at one time, but they don’t look good anymore. They don’t fit right and they don’t smell too good and they do nothing to improve your looks and bearing.
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January 21, 2011 by Fiction Editor Beth Hill
Emotions pull readers into the story faster than most anything else a writer could try. They are instant connection points. Think of emotions as tentacles reaching to the reader and tying him to your tale. Wrap him tightly, so tightly that he must stay with you until the end.
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January 19, 2011 by Fiction Editor Beth Hill
No matter where you take the reader, what you drag him through or under or around, you must see that he’s satisfied. Ensure that at the moment he reads the final page, he feels the satisfaction that yes, this story could only end this way.
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