Thursday December 26
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Write Scenes Rather Than Reports

March 25, 2011 by Fiction Editor Beth Hill

Scenes—someone doing something somewhere—are the pulse and images of the novel. Don’t skimp on scenes. Use exposition to connect them, but be sure you write them. Listening to a character’s thoughts, without knowing where and when he is, can make for dull reading.

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Equip Your Characters

March 17, 2011 by Fiction Editor Beth Hill

Writers are like God, creating worlds and populating them with characters who fit those worlds. Equip characters to navigate your fictional universe.

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First Impressions and Introductions

March 6, 2011 by Fiction Editor Beth Hill

What firsts do readers look for in stories? The introduction of the protagonist, the first clash between main character and his chief antagonist, the first meet between hero and heroine? Put reader expectations to use and write strong introductions and firsts.

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Sex in Fiction—Do They or Don’t They?

March 3, 2011 by Fiction Editor Beth Hill

Not all novels contain sex scenes, but for those that do, the sex needs to fit genre and character and plot. Learn what it takes to add sex to fiction.

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Novelist as Director…And as So Much More

March 1, 2011 by Fiction Editor Beth Hill

The creation of a movie requires many specialists. So does the writing of a novel. The novelist, however, plays the part of all the specialists. He alone is responsible for putting his story together the way a movie’s production team does.

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Plot, Setting, and Character—Fiction’s Top 3

February 24, 2011 by Fiction Editor Beth Hill

Plot, setting, and character are the three major elements of fiction. Get an overview of what they do and how they interact.

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Creative Genius vs. Editing Witch

February 20, 2011 by Fiction Editor Beth Hill

Writers have dual sides to their creativity. Both freewheeling Creative Genius and stern Editing Witch are necessary for the crafting of quality fiction and entertaining novels.

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The Psychology of Character

February 17, 2011 by Fiction Editor Beth Hill

In good fiction, characters act in ways that make sense for who they are. When their actions are out of character, the fiction is weakened and readers no longer believe the words on the page. Learn about character motivation and how to weave it into your story.

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Show and Tell—Not Just a Game We Play

February 15, 2011 by Fiction Editor Beth Hill

Writing teachers pound it into us. Books on writing repeat it until we feel we’ve been beaten. And if we’re brave enough to put our work in front of our peers for review, we are pounded yet again—Show, Don’t Tell, our critics intone. But what is meant by this frequently repeated advice?

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Dialogue—The Speech of Fiction

February 11, 2011 by Fiction Editor Beth Hill

We add dialogue to our fiction so our characters can communicate. But we also use their dialogue to mis-communicate, to increase tension, to get our characters into trouble. Learn what dialogue can and should do.

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