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Just Who is the Subject Here?

June 27, 2013 by Fiction Editor Beth Hill

A real-world example used to show the importance of checking sentences to make sure the subject you include is the one you intend for the sentence.

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Narrative Modes in Fiction—Telling Your Story (Writing Essentials)

June 24, 2013 by Fiction Editor Beth Hill

A introduction to the narrative modes of fiction—action, dialogue, description, exposition, and thought—and a brief discussion of how they can be combined in novels.

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Plot, Goal, Inciting Incident—A Reader’s Question

June 18, 2013 by Fiction Editor Beth Hill

A readers asks about links between plot, character goal, and the inciting incident.

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Making Something Happen in Story

June 16, 2013 by Fiction Editor Beth Hill

Whichever story event you refer to when you talk about the inciting incident, make something happen in your story. Include a cause that gets the story, and your protagonist, moving.

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Don’t Fake It—Learn the Craft

June 7, 2013 by Fiction Editor Beth Hill

A reminder that you can’t fake the skills needed for writing convincing fiction. Learn the craft. Learn both the mechanics of writing and the elements of fiction.

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Reader Takeaway

May 30, 2013 by Fiction Editor Beth Hill

Give your readers a takeaway, something to remember you and your stories by once the book has been read.

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Those %!@# Expletives

May 26, 2013 by Fiction Editor Beth Hill

Expletives—there is, there were, it is, it was, and so forth—can make sentences dull. And sometimes they’re just used too often in our writing. Learn how expletives can work either for or against story.

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Compare My Manuscript to a Famous Book—A Writer’s Question

May 16, 2013 by Fiction Editor Beth Hill

A reader’s asks whether or not to compare a manuscript with other books in query letters and elevator pitches.

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Write Hot, Edit Cold? It’s Still Great Advice

May 10, 2013 by Fiction Editor Beth Hill

Write hot, edit cold was advice originally given to ad writers, but it’s great advice for any writer. A look at the advantages of editing and analyzing manuscripts with a cool head and from a distance.

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Come to Your Senses

May 4, 2013 by Fiction Editor Beth Hill

Tips for using the sense elements to differentiate characters, enhance mood, and make stories feel real.

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