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A introduction to the narrative modes of fiction—action, dialogue, description, exposition, and thought—and a brief discussion of how they can be combined in novels.
Whichever story event you refer to when you talk about the inciting incident, make something happen in your story. Include a cause that gets the story, and your protagonist, moving.
A reminder that you can’t fake the skills needed for writing convincing fiction. Learn the craft. Learn both the mechanics of writing and the elements of fiction.
Expletives—there is, there were, it is, it was, and so forth—can make sentences dull. And sometimes they’re just used too often in our writing. Learn how expletives can work either for or against story.
Write hot, edit cold was advice originally given to ad writers, but it’s great advice for any writer. A look at the advantages of editing and analyzing manuscripts with a cool head and from a distance.