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Charge Your Writing Batteries

September 1, 2012 by Fiction Editor Beth Hill

While it’s not impossible to write when we feel empty, it is impossible to write with any power or beauty or depth when the words aren’t there, when we truly are empty. A reminder to keep youself filled and inspired if you want to produce powerful writing.

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A Heritage of Words

August 15, 2012 by Fiction Editor Beth Hill

My father, a lover of words and books, recently died. A few thoughts on his legacy.

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Great Expectations vs. Realistic Ones

August 7, 2012 by Fiction Editor Beth Hill

Many writers have great expectations for their first novel manuscript. But are those expectations realistic? A look at what you can expect of your first novel.

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Point of View—Part Three

July 26, 2012 by Fiction Editor Beth Hill

An exploration of the omniscient POV. This is part three in a series on point of view.

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Point of View—Part Two

July 26, 2012 by Fiction Editor Beth Hill

Second of three articles on point of view. This is an examination of first, second, and third points of view in fiction.

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Point of View, the Full Story—Introduction

July 26, 2012 by Fiction Editor Beth Hill

Point of view is one of the basic elements of fiction. This is the first of three articles exploring point of view.

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Clear the Dread from the Dreaded Synopsis

July 15, 2012 by Fiction Editor Beth Hill

Every novel writer should create at least one summary of each manuscript in the form of a synopsis. Tips for formatting your synopsis and ideas for how to approach creating one.

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That’s Not a Real Word

July 2, 2012 by Fiction Editor Beth Hill

You’re a fiction writer? Then by all means feel free to make up words for your story world.

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Even More Punctuation in Dialogue—A Reader’s Question

June 29, 2012 by Fiction Editor Beth Hill

A reader’s questions about punctuation in dialogue. You may have had some of the same questions.

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Claustrophobia—Don’t Imprison Readers in a Character’s Head

June 16, 2012 by Fiction Editor Beth Hill

There is more to story than a character’s thoughts. Be sure to step outside a character’s head so readers can experience a full story that includes action, dialogue, emotion, setting, and thought.

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