Friday November 22
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Sub-plots, Main Plots, and Digressions

July 30, 2011 by Fiction Editor Beth Hill

Sub-plots can add great depth to story. But these secondary plots can detract from the main plot. A look at sub-plots and their limitations.

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Tips for Writers—The Down and Dirty

July 23, 2011 by Fiction Editor Beth Hill

Some lists of writing tips are written for those looking for easy fixes, for those who want to play at being writers without taking on the work of writing. This list is not one of those.

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Engage Readers Through Character Reaction

July 16, 2011 by Fiction Editor Beth Hill

Characters who don’t react are cold and distant, and their lack of reaction keeps readers at a distance. Engage readers by using character reaction to stir readers’ emotions.

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Style Sheets—The Setup and the Benefits

July 12, 2011 by Fiction Editor Beth Hill

A style sheet is an easy way to manage consistency in a manuscript. Writer or editor, consider putting together a style sheet for every project.

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Pros and Cons of Prologue

July 6, 2011 by Fiction Editor Beth Hill

Prologues are out of vogue, but can a novel have a prologue? It can if the prologue serves a purpose and doesn’t detract from the rest of the story.

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Word Choices—Contractions and Dialect

June 28, 2011 by Fiction Editor Beth Hill

Using contractions and writing in dialect are only two categories of word choices a writer must face. Explore the use of contractions and dialect in fiction.

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Resolution—Tying up the Ends

June 23, 2011 by Fiction Editor Beth Hill

A novel’s resolution can ensure a satisfying read or it can drive readers mad at the way it doesn’t fit the story. Learn more about story resolution in fiction.

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Write What You Know? Maybe Not

June 17, 2011 by Fiction Editor Beth Hill

Most writers have heard the instruction that says to write what you know. I suggest that writers instead write about subjects that move them. Write from your passions.

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Your Character’s Code

May 20, 2011 by Fiction Editor Beth Hill

Old-West lawmen had codes that governed their behaviors. Your characters should have codes as well. Codes that dictate what they’ll do and codes that you’ll make them break as you as raise the stakes in their stories. Explore the character’s code and options for breaking it or holding tight to its standards.

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Viewpoint Character and the Need to Choose Wisely

May 13, 2011 by Fiction Editor Beth Hill

The wrong viewpoint character could send your story in the wrong direction; the right viewpoint character could make your story. Learn what you should consider in choosing viewpoint characters.

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